A question I get frequently usually goes something along the lines of "What do you do all day?" I know it is a perfectly valid question phrased with just normal curiosity, but a small part of me bristles at the question. What do I do? I am slightly indignant, as though I would waste the precious minutes and hours of my life rather than improving them.
So, granted, some of the "projects" I have been working on no one will ever see the light of day (backing up 7 years' worth of cds and categorizing them, as my cds have already started disc rot). In fact, for the cd backup project, the sad part of it is that my newer computer can't read them so I have to turn to my 8 year old computer which apparently has a stronger optical drive to try to salvage the data (sometimes which is not salvageable).
A lot of my free time- aside from coming across amusing links to send to friends- is research. Learning. Editing photos takes a lot of time, but after you're done editing, there's still personal research. Most of it doesn't stick, but sometimes it does. I'll look at fashion magazines for posing/styling ideas. I'll sit in bookstores looking at photography books. I'll look at articles online. There's a wealth of information out there, it's just a matter of learning it.
It's tough to concentrate on any one area of photography. There's the actual looking up technique. I'm obsessed with trying to figure out lighting right now. There's methods on post-processing. Then there's the whole "setting up your website" thing. And there's the tangible product part. What good is taking all these photos if at the end of the day, they're just ending up on an external hard drive, the equivalent of a digital crypt?
So when I shot Tu and Tramanh's engagement last November, their parents had wanted a photo album done. I could easily have popped out a book in two or three hours, but I wanted to get a more "pro" look to it. I spent 3 days researching where to get a nice photo album made, scouring photography forums for website recommendations. Reading reviews for various websites. Sure, you can get an album made for $20 (and sometimes even less) on snapfish, dotphoto, etc, but if you want something that'll make a much more lasting impression, you've got to put in the footwork to find it.
Now, wedding albums run for a few hundred (and photographers will mark it up to nearly a thousand). Most professional websites don't show their pricing unless you sign up as a "professional" photographer. The three I signed up for, I had to fill out a questionnaire, one asked for my website. The checking process isn't very stringent at all though, but it's enough to deter the random consumer from viewing pricing. Obscuring the pricing, of course, is for the photographer's sake, so that their customers won't see what the photographer is paying versus what they're paying. You might think this is a deceptive practice- that man, photographers are just ripping people off. But until you've designed a photo album, you'll understand why there's so much markup in these products- these things take a lot of time to design.
This album, for instance. I had well over 700 photos to choose from. To organize into a cohesive story of the day. You can't just splash photos all willy nilly over the page. In fact, I spent 2 full days designing the album. The free software that comes with it allows for an infinite number of configurations, but you could easily use their templates.
I was going, however, for the panoramic spreads across pages, so I was going to set up the photos exactly how I wanted them. As Gordon Ramsey once said in an interview, it's not enough to cook a good steak. You have to have it served excellently. The plates have to be warmed. Every little detail has to be perfect, or else it's not a great steak. Which is why someone has to care enough to decide why a 2 degree head tilt between two nearly identical photos makes one better than the other. Or adjusting saturation by 5%. Or, when implanting photos into an album, making sure pictures aren't off by even 1 pixel. All these nearly imperceptible things. Someone has to care about these little details, and that's what makes something memorable. That last 1% of effort to bridge the gap between a nice album and a great one.
So what is it that I do all day? This is what I do.
10x10 leather bound album
For a few extra bucks, you can get silver or gold foil stamping on the leather cover.
Nicely textured interior cover binding.
The program lets you crop/size photos any way you want, letting you put as many photos as you want so that you can properly tell a story. I crammed it full of photos to give a better feel of the day's events. (sorry, I should have put it on a table or something flat, but I didn't have time). There's a reason for the placement of every photo in this album.
These are known as lay flat pages with nice thick pages that don't bend, printed on photographic paper.
The good thing about this album is that there's almost no gutter, and you can print photos across the gutter with no loss in image quality. A bit pricier than the photo books you get at walmart/snapfish/costco/etc, but well worth it for big events.
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